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Tarragona and its surrounding area retains important traces of the Roman influence in the Iberian Peninsula. The archaeological complex of Tarraco was declared a World Heritage Site in 2000: the urban development of the city, as well as the density and the quality of the remains, make it a universal and incomparable asset.
The archaeological complex includes several monuments from the 3rd century BC until the 6th century AD, which are very well preserved. All of these are characteristic of provincial capitals, as was ancient Tarraco. The walls are notable for being the oldest construction in the city and an example of military engineering. Of the forum, the large square in which much of public life was focused, a section of arcade of the Basilica and part of a street are preserved; the rest of the complex is still hidden beneath the footprints of the modern buildings.
The theatre was built in an area outside the walls, very close to the forum and, as was usual, made use of the slope of the land. The three elements that define a Roman Theatre have been partially preserved: cavea (or the tiered seating), orchestra and scaena (stage). In the circus, the space where the cart races were run, a good part of the vaults and some sections of terracing, the remains of the façade and the podium, can be seen today, as well as some of the monumental doors through which the building was accessed.
But without doubt, the amphitheatre is the most iconic of the Roman trail in the city, and completes the trilogy of theatrical buildings. The characteristic arena is present – where all the spectacles were performed - surrounded by the cavea to accommodate the public; the remains visible today in the arena are from the Basilica and the Romanesque church of Santa Maria del Miracle ( 12th century), built on the same spot where the popular Saints of Tarragona, Fructuós, Auguri and Eulogi, suffered martyrdom.
On the outskirts of the city, near the Francolí River, the Early-Christian Necropolis constitutes one of the most extensive and important burial areas of Tarraco: this exceptional cemetery is considered the largest and most important in the whole of the west of the Roman Empire, with more than 2,000 burials.
Around Tarraco we find other buildings of great importance such as the Ferreres Aqueduct (Devil's bridge), the Triumphal Arch of Barà, the mausoleum of Centcelles, the Mèdol quarry and the Villa of Els Munts, among others.
Founded as a military camp by Gnaeus Cornelius Scipio, Tarraco prospered both thanks to its coastal location and to its position in relation to the land routes to the interior of the peninsula. Thus, the city became a Roman colony, head of a conventus -a judicial demarcation - and capital of the province of Hispania Citerior and Tarraconensis.
Under the waters of El Port de la Selva bay, resting for more than 2,000 years, the Cap del Vol, a Roman vessel that sank with its cargo of wine and which has been baptised with the name of the beach where the wreck remains. From the outset, the researchers realised that the Cap del Vol was not a conventional Roman ship: the characteristics of its naval architecture were quite different from other wrecks (sunken ships) from the same period.
In particular, the draught of the vessel (the distance between the waterline and the keel) is lower than that of other ships and its keel is not pronounced. Features that made it ideal for sailing in shallow waters or in wetland areas and the scholars believe that in reality it was a ship built by the indigenous population of the area.
El Cap del Vol was carrying a load of wine stored in amphora and it is believed that it made the trip between the Catalan coast and that of Narbonne. Among the most remarkable finds there is a coin from Arse (Sagunt) and the cork in one of the amphora.
To study, preserve and disseminate the history of the city; the Museu d’Història de Barcelona (Museum of the History of Barcelona - MUHBA) provides an explanatory showcase of the city through an extensive collection and various outstanding heritage areas. The Museum brings together cultural material that explains the past and the present and this translates into a rich and heterogeneous collection that continues to grow. The MUHBA is a mirror on the many faces of the city: an important historic centre, a new modernista city and a diverse complex of old towns and newly created districts.
The monumental complex of Plaça del Rei has been the foundational core of the Museu d’Història de Barcelona since it was created in 1943. In the ground beneath the Casa Padellàs you can see an important part of ancient Barcino; the visit allows you to stroll through the streets of Roman Barcelona, get close to the walls from the time, enter a laundry from the 2nd century AD, see the remains of the first Christian community of the city, etc. The complex is completed with important medieval buildings such as the Palau Reial Major (Royal Palace) and the Tinell salon. But in addition to these landmarks, the headquarters of MUHBA has a permanent exhibition, displaying pieces about the ancient municipal government, the guilds and brotherhoods of Barcelona, the cotton industry, festive and popular imagery of the city, nineteenth-century Barcelona and the urban reforms.
Over the years, this historic centre has expanded considerably and now includes up to 15 heritage spaces spread around the city. Notable is the Temple of Augustus, the Roman Sepulchral Way, the Call, Park Güell, Santa Caterina, the Turó de la Rovira and Fabra i Coats, among others.
Iesso, located in the present-day town of Guissona, is one of the few Roman cities in Catalonia on which the present-day city has not been completely superimposed. This gives it considerable archaeological potential. In addition, it is one of the most well-documented examples of urban activity that unfolded in Catalonia in 100 BC: a crucial historical moment in which the urban network inherited by our current cities, began to be constructed.
Ancient Iesso was an important inland capital of the empire. About 20,000 people lived there and it occupied twice as much ground as Barcino. In Roman hands, the city experienced 700 years of prosperity, based on agriculture and intense commercial activity. The original town was surrounded by walls and the streets arranged around two axes, the cardo maximus, on a north-south orientation, and the decumanus maximus, running from east to west, following the usual urban plan of Roman cities.
The constructive and commercial activity of Iesso continued up to the Visigothic period (6th century), even though the period that followed the dissolution of the Roman Empire in Guissona was a historic moment of unknown force.
Nowadays, the Archaeological Park of Iesso offers the perfect example in which to discover the development and the transformation of the Roman city over time. Notable are the large public baths, with an advanced system for the circulation of water, the remains of a facility to produce wine and a large manorial house organised around a central courtyard.
History stops again and again at Roses. Founded as a Greek colony, its location makes it a strategic point in the Mediterranean. For this reason, the site has experienced various occupations and has been a target of numerous attacks. Today, the Ciutadella is a modern cultural centre and an extraordinary site.
Brought together over an area of 139,000 m2 are the archaeological remains of the Greek colony and later Roman colony of Rhode, the Romanesque monastery of Santa Maria and the structure of the old village of Roses, which even retains some medieval fortifications.
The current walls are fortified with large bastions dating back to the Renaissance and modern eras. It was in the 16th century that the King Carles V the Holy Roman Emperor, commanded the Ciutadella and the Castell de la Trinitat to be built to protect them from pirates and Turks.
In 1814 the French themselves were the ones who wanted the Ciutadella, which has been restored and was opened to the public at the end of the 20th century.
Since 2004 within the enclosure, you can visit the Museu de la Ciutadella, a contemporary building which summarises the history of the complex.
The temples of Sant Pere, Sant Miquel and Santa María, which originally formed the Paleolithic "cathedral" in Egara, have undergone multiple stages of construction that have left their mark in a variety of styles, -from late Roman to Gothic styles- and artistic disciplines. It is, therefore, a monument unique to Catalonia.
The first building is a paleochristian complex that served as the bishopric of Egara, of which there are still vestiges of the temples of Santa Maria and Sant Miquel. The fact that there are three churches has historically been interpreted as a "copy" of the ancient Byzantine model -two churches and a baptistery- but after recent excavations (2000-2007), scholars think that the church of Sant Miquel was not used as a baptistery, but rather that it had a funerary use. Therefore, we find ourselves in a paleochristian cathedral, set out as a miniature city with several outbuildings and temples.
The second stage of construction dates back to the ninth and tenth centuries following the Christian conquest of the territory dominated by the Muslims. Therefore, the style is Pre-Romanesque; there are many signs of this era in the churches that were eventually finished in the third and final stage, by this time the Romanesque (11th-12th centuries).
