Famous mainly for its impressive Romanesque cloister, the Monestir de Sant Cugat (Monastery of Sant Cugat), run by the Benedictine order, contains pre-Romanesque, Gothic and Renaissance elements.
Constructed between the 9th and 14th centuries, the church features the classic basilica plan of three naves and three apses, which are based on the remains of a Roman castrum. The temple is characterised by the sobriety of the Romanesque period in the lack of decoration and low light, and the Gothic grandeur thanks to the thirteenth century dome: an eight-sided tower with large windows.
The prosperity of the twelfth century led to the construction of the first floor of the cloister, consisting of long galleries with arches that rest on pillars and several pairs of columns. However, the most eye-catching feature for visitors must be the 144 Romanesque capitals.
Made with stones from Montjuïc, they were carved between the late twelfth and thirteenth centuries and feature something completely unusual: the author's signature. As such, we know that the sculptor, Arnau Cadell, made a self-portrait on a Corinthian capital and wrote in Latin: "This is the image of Arnau Cadell, sculptor, who built this cloister for posterity".
To pass through the gates of the Palau Moja is to discover how the high bourgeoisie lived in the 18th and 19th centuries in Barcelona. The house was the property of two of the most important men of the city, which became a meeting point for the high society of the age.
Josep de Copons, Marquis de Moja, and his wife, Maria Luisa Descatllar, commissioned its construction from the architect Josep Mas. In 1784 he opened the building, which combines Baroque elements with influences of French Neoclassicism. Notable from this first stage, is the Grand Salon, with paintings by Francesc Pla, known as "El Vigatà", and the façades. Interestingly the main door is located in Carrer Portaferrissa. At this time the Ramblas was still a watercourse that had just began to be developed.
In 1870, the Marquis of Comillas, father-in-law of Eusebi Güell, bought the Palace and adapted it to the taste of the period. One of the most visible renovations was the Staircase of Honour. Also dating from then are the blue, pink and green salons. Jacint Verdaguer lived there for 15 years as a family chaplain and almoner.
After the fire of 1971, the Palace was abandoned for eleven years. It is currently the headquarters of the Cultural Heritage Department of the Catalan Government’s Ministry of Culture.
The Torre Glòries (The Glòries Tower), a modern office building located at the entrance of the 22@ (the technological district of Barcelona), has altered the city’s skyline since 2005. It is the work of French architect Jean Nouvel, who is inspired by the images of a geyser, the architecture of Gaudí and the mountain of Montserrat. A contemporary lighthouse that attracts the interest of locals and tourists in equal measure.
Rising from two elliptical, concrete cylinders, one inside the other, the Torre Agbar measures 142 metres high and is covered by two "skins". The innermost is an aluminium plate painted with earth tones, blues, greens and greys. The outermost is a transparent and translucent wall made up of nearly 60,000 sheets of glass. Thanks to this double façade an air chamber is created that allows the heating of the building to be delivered and provide ventilation. The glass used are pieces of a brie-soleil, a system that controls the sun's rays depending on the outside temperature.
These characteristics make the Torre Agbar an original, intelligent and sustainable building, the three principles on which Nouvel’s project is based. It is especially notable on weekend nights, when 4,500 points of LED light (the most efficient and least polluting system) illuminate the façade with colour.
Founded in the early 12th century, Santa Maria de Vallbona de les Monges is the most important female Cistercian Monastery in Catalonia. From the time of its construction, in 1153, it has always been inhabited by nuns and currently forms part of the Cistercian Route (along with Santes Creus and Poblet).
The complex is representative of Cistercian art, faithful to the Rule of Saint Benedict. As can be seen in Vallbona de les Monges, it bypasses ornamentation, achieving sober and functional spaces.
During the visit to the Church, it is worth looking up for a moment. On the main portal (13th century), one can find one of the first reliefs of Santa Mariato appear on a tympanum in Catalonia. Once inside, the church is characterised by simplicity and the wonderful play of light. To the right of the altar there is the simple and plain sarcophagus of Queen Yolande of Hungary, wife of Jaume I the Conqueror.
The simplicity and austerity continues in the cloister, where one can clearly see the stages of construction. The south nave, primitive Romanesque, does not have any kind of decoration. The eastern nave, 13th-century Romanesque, features small rosettes. The northern nave is Gothic and, finally, the western nave is a Renaissance building from the 16th century, but it follows the general style of the Romanesque galleries.
The Palau de la Generalitat, located in the Gothic quarter of Barcelona, is one of the few buildings of medieval origin in Europe that have been maintained as a seat of Government and for the same institution for which it was built.
The original house, on Carrer Sant Honorat, was acquired in 1400 and during the 15th century it was expanded and converted into a new gothic palace, the work of Marc Safont. Among the best preserved elements from this period are the Gothic Gallery and the Chapel of Sant Jordi.
During the 16th century, the Palau de la Generalitat grew with a new part which respected the previous Gothic style such as the Cambra Daurada (Golden Chamber) and the first Pati dels Tarongers(courtyard planted with orange trees). The most radical changes came with the extension towards the Plaça Sant Jaume (1597-1619): the current main façade was inspired by the Italian Renaissance, and there are four Doric columns of Roman origin dating from the 2nd century.
The last major changes in the building happened in the period of the Mancomunitat de Catalunya, the Catalan Commonwealth, (1914-1925): items such as the staircase of honour and the equestrian statue of Sant Jordi were added. Notable from the 1970s is the acquisition of more than a hundred pieces of modern, avant-garde and contemporary art by artists such as Montserrat Gudiol, Josep Maria Subirachs, Antoni Clavé, Joan Hernández Pizjuán, and Antoni Tàpies.
A Baroque church, a neo-classical convent-residence... and a cavern. These three elements make up the Cave of Sant Ignasi de Manresa, an architectural complex converted into a Centre of Spirituality, which is one of the iconic images of the capital of the Bages region.
Located on Puig de Sant Bartomeu, in one of the caverns formed by erosion from the waters of the Cardener river, this complex was built around the site where tradition says that St. Ignatius of Loyola lived for 11 months, meditating and writing part of his Spiritual Exercises, between 1522 and 1523.
In the cavern is the Relleu del Rapte de Sant Ignasi, (the Rapture of San Ignatius), a mid-17th century alabaster altarpiece, carved by the Manresan sculptor, Joan Grau, his Francesc and Josep Sunyer.
The Church, built in the 18th century with design of Josep Moretó of Vic, combines a discreet interior, in which the altar of the Blessed stands out, with a Baroque façade, both rich in elements and proportionate to its size.
Completing the complex is the convent-residence of the Jesuits, of neoclassical inspiration, and the lobby or hallway that connects the Church and the cavern, modernista in style and decorated with marble, mosaics, stucco, stained glass and metals.
La Devesa in Girona is the largest urban park in the Principality. With more than 2,500 one hundred year old trees, the main lung of the city is a site dedicated to recreation where nature is manifested in all its splendour.
Long rows of plane trees fill the 40 hectares of the Park. Their distribution creates genuine avenues and botanic walks at the confluence of the rivers Güell, Ter and Onyar, to the west of the historic centre of the city. The trees of this green oasis are hybrids of American and Eastern species, most planted in 1850. The short distance between them has made them grow upright, reaching heights that are around 55-60 metres.
The site, in which all kinds of constructions have been built over the years, is arranged around several avenues. The entrance, from 1898, preserves one of the two twin lodges that welcomed visitors and in the Camp de Mart (the field of Mars) are the sports facilities built in 1942. Also within the Park of la Devesa are located shooting ranges and a model airplane field, the Felix Farró municipal football pitch, the facilities of the Girona Equestrian Society, the Fira de Girona area, the Girona Auditorium and the Congress Centre.
