With more than 300 works, the Fundació Antoni Tàpies (Barcelona) has the most comprehensive collection of the Catalan artist, which reflects all the creative periods of the artist. Driven by Antoni Tàpies, the Foundation is a Museum and cultural centre that also works for the study and promotion of contemporary art.
Including paintings, sculptures, drawings, prints and books, it displays all aspects of Tàpies’ artistic activity. The collection includes a selection of drawings and portraits from the 1940s (Creu de paper de diari - Newsprint Cross), an important example of the matter works of the 1950s and 1960s (Forma negra sobre quadrat gris - Black form on grey square) and a significant representation of the object works of the late sixties and early seventies (Palla i fusta - Straw and wood).
The visitor will discover the different typologies, techniques and materials used by Tàpies: works made of rubber-foam and spray, varnishes and sculptures in refractory clay and objects and sculptures made with metallic plates or bronze.
The Fundació Antoni Tàpies is located in a modernista building designed by the architect Lluís Domènech i Montaner. This construction is unique as it was the first in the Eixample district to combine the use of exposed brick and iron within the urban setting. Currently the building is crowned by the Núvol i cadira (Cloud and chair) sculpture by Tàpies himself, a work which has become a symbol of the Foundation.
The Natural Sciences Museum of Barcelona is located in the Parc del Fòrum. Built by the architects Herzog and de Meuron in 2004, the museum occupies 9,000 m2 and is considered, architecturally, to be one of the most iconic buildings in the city.
In the entrance hall is the most emblematic piece on display in the museum, the skeleton of a whale that was found on a beach in Llançà in 1862. By popular vote, it was named Brava.
The narrative of the permanent exhibition is the interpretation of the present-day Earth as the result of the interaction between the planet’s chemical and physical environment and living beings. All this is shown in an educational way and through tactile screens and display cases with the museum’s collection – fossils, naturalised animals, plants, algae, rocks and minerals. There are also areas dedicated to fungi and the microscopic world, including the reproduction of viruses and microbes. A total of 4,500 of the over 4 million pieces the museum owns are exhibited.
The Natural Sciences Museum of Barcelona is an institution with over 140 years of history. It started off with the legacy of the collections of the naturalist Francesc Martorell i Peña. In addition to the Fòrum building, the Museum has other sites located in different parts of the city: the Jardí Botànic de Barcelona (Botanical Garden of Barcelona) and the Jardí Botànic Històric (Historical Botanical Garden), situated on Montjuic, the Centre Martorell (Martorell Exhibitions Centre), and the Castell dels Tres Dragons in the Parc de la Ciutadella.
The Born Cultural Centre in Barcelona is a benchmark facility for Europe: it is both a historical site, the core of the collective Catalan memory and a modern cultural centre.
As a historical site, the old market of Born (1876) was the first large building using iron architecture in the city, demonstrating its prominent role as a European metropolis during the 19th century.
With regard to the historical memory, in the subsoil of the market an exceptional archaeological site, both for its state of conservation and for its dimensions, is preserved. Contemplating the remains of 42 streets and 60 houses that were part of the Barri de la Ribera (the Ribera neighbourhood) you can explore the history of Barcelona and Catalonia, from the Roman era until the early eighteenth century.
The stones speak to us especially of the outcome of the War of Succession for the city, which resisted the siege by Felip V's troops up to the capitulation on 11th September 1714. As a result, the centre of the Born was destroyed in order to build the military stronghold of the Ciutadella.
After years of excavation work, restoration and exhibits, this location has been converted into a cultural centre. Opened in 2014, it acts as an interpretation centre for the War of the Spanish Succession, and at the same time offers a programme that includes literary, musical, and theatrical activities.
The Monastery of Sant Pere de Galligants, from the 12th century, is one of the most important Romanesque monuments in Girona. It is located within the urban setting of the city, an unusual fact given that most monasteries are found in places of isolation. But this Benedictine Abbey is also unique for its chancel and the bell tower.
The chancel of Sant Pere is unique for having a complicated asymmetrical form: it is formed by a main apse with two apsidioles on one side and one on the other, while at the end of the arm of the transept there is another lateral apse which makes one think about the reuse of elements from a previous church. Within this space is found the perfectly symmetrical eight-sided bell tower, with Lombard decoration.
Most notable is the sculpture found on the capitals of the main nave and, above all, those of the chancel. It is these for which Sant Pere de Galligants is most famous; and which have generated most controversies... some historians are firmly convinced that they bear the hand of the Master of Cabestany and his workshop; others, however, believe that they are influenced by the School of Toulouse.
From 1857, Sant Pere de Galligants was used as a museum of archaeology and fine arts, one of the oldest in Catalonia. Currently it is the headquarters of the Girona branch of the Museum of Archaeology of Catalonia and includes the archaeological materials found in the excavations of several sites in the Girona region, from prehistory to the Middle Ages.
Devoted to the culture of the object, the Museu del Disseny de Barcelona (Design Museum of Barcelona) offers visitors unique collections formed of more than 70,000 pieces which cover, in chronological order, items from the 4th century BC to the present day. The object and all that it means to society is the common denominator of all collections: from its conception, creation and production up to its use according to the period.
Contemplating many of the pieces of the museum is to return, often, to the everyday environment: the Montesa Impala motorcycle, the poster of the opening of the Camp Nou or the Olympic mascot Cobi, among many others, are objects that appeal directly to the sentimental memory of the spectator.
The vast wealth of the new museum in Barcelona is formed by the merger of the collections of the Museu de les Arts Decoratives (decorative arts), the Museu de Ceràmica (ceramics), the Museu Tèxtil i d'Indumentària (textiles and clothing), and the Gabinet de les Arts Gràfiques (graphic arts).
But if the content is outstanding, its container, the Museu del Disseny itself, is not far behind: the building, designed by the MBM team of architects and popularly known as the la grapadora (the stapler), is already a new icon of the contemporary architecture of the city.
As a result of the confiscations in the 19th century, a large part of the artistic heritage of the church was dispersed or privatised.With the Catalan Renaixença (Catalonia's cultural renaissance) efforts were made to recover and protect this entire legacy through initiatives such as the Museu de Lleida Diocesà i Comarcal, (Diocesan and Regional Museum of Lleida), founded in 1893, following the example of the Museu Episcopal de Vic. Today, the museum manages an important artistic legacy from the lands of the West and from the ancient Diocese of Lleida, which covers the period from prehistory to the modern age.
In 2007 the new branch was opened that set out the criteria of the site.There are certain outstanding exhibits that must not be missed during the tour of the museum. These include the head of a Roman satyr, altar frontals from the 13th century and sculptural fragments of the Seu Vella. From the Renaissance and Baroque, works by the painter Pere Nunyes, sculptures by Gabriel Joly and Damià Forment and several works by the painter Antonio Viladomat.
Highlights of the permanent collection include two unique pieces: the chess game of 10th -11th century by Sant Pere d’Àger and the Mare de Déu de Bellpuig de les Avellanes, one of the most important examples of Catalan Gothic heritage
The musical heritage of Barcelona and Catalonia is immense, and one of the institutions that has done the most to conserve, study and disseminate it has been the Museu de la Música de Barcelona. Located on the second floor of the Auditorium, it has a collection of 2,000 musical instruments from all over the world and 10,000 sound documents received from legacies and donations. It is considered one of the most important music collections in Spain.
The permanent exhibition invites visitors to experience the world of music and to understand that instruments are the living documents of our past, full of meaning and information related to our musical heritage. On display along the route of the museum are more than 500 pieces, explained through audiovisual, sound and textual resources.
The itinerary for the exhibition enables the visitor to learn about the instruments through the history of music: from ancient civilisations, progressing on to the birth and diffusion of polyphony, Baroque, Classicism and Romanticism, until reaching the new colours and industry of sound in the 19th century and the new styles and new technologies of the 20th century.
String instruments are the most widely represented in the museum, with an outstanding collection of guitars and keyboard instruments. The museum also focuses, deservedly, on wind instruments, as they reflect the important Catalan construction tradition and its use in South American and Asian cultures.
The Museu del Cinema de Girona was created from the exceptional collection of objects related to the world of pre-cinema and the films of Tomàs Mallol made up of 8,000 objects, 10,000 documents (photographs, posters, prints, drawings and paintings), 800 films and 700 books and magazines. Opened in 1998, it became the first museum of its kind in Spain and one of the few existing in Europe./p>
Entering the Museu del Cinema is to embark on a process of discovery. And the permanent exhibition has in the spectator their own point of view. This is not surprising. Throughout history, man has been fascinated by the moving image, from the primitive Chinese shadows until the early years of cinema.
This discovery process is divided into 10 sections plus an audiovisual, which serves as a prologue to the exhibition, and an epilogue that refers to amateur and children's cinema.The main discourse ends in the 1930s, with the arrival of the first televisions.
Thus the visitor gets an educational and entertaining understanding of the workings of magic lanterns, optical boxes, cameras obscura, chronophotography, gadgets for giving movement to the first images (phenakistoscopes, zoetropes, etc.…), projectors... The visitor even gets to be fooled by several optical illusions, which demonstrate that, since ancient times, the most important thing has always been to surprise
The first film exhibition in Catalonia took place on 5th May, 1895 in Barcelona. Almost a century later, in 1981, the Filmoteca de Catalunya, was born, dedicated to the conservation of film and audiovisual heritage and to the dissemination of film culture.
Today, the Filmoteca de Catalunya has a collection of more than 45,000 books, 20,000 graphic archives, 8,000 films, 5,000 sound tracks and 1,200 pieces of original film equipment. It is the result of the work of conservation, restoration, cataloguing, documentation and study of the film heritage of Catalonia carried out by this institution.
However, the best way to get to know the Filmoteca is through exhibitions, publications and film projections, nearly a thousand each year.
After acquiring a first projection room in the street Travessera de Gràcia and more than 20 years at the old Aquitània cinema in Sarrià, in 2012 the new headquarters in the district of El Raval were officially opened. This building, designed by Josep Lluís Mateo is the location for the main display and exhibition areas, a library and a bookstore.
The holdings and film collections are conserved in the other main site of the Filmoteca, the Centre de Conservació i Restauració, located in Terrassa, in the Parc Audiovisual de Catalunya.
The CaixaForum is located in the former fàbrica tèxtil Casaramona (Casaramona textile factory) in Montjuïc, which specialised in the manufacture of blankets and towels. This building designed by Josep Puig is an exceptional example of Catalan industrial "modernista" architecture of the early twentieth century. It comprises a set of single-story buildings, a horizontal construction to facilitate the transfer of goods through a system of internal streets that at the same time also served as a firewall.
The building was acquired by Obra Social "la Caixa" in 1963. In 2002, after a restoration and expansion project, it became a cultural centre for Barcelona. It offers social, cultural and educational programming that includes ongoing events such as lectures, film screenings, performances, concerts and family activities.
In addition, a quarter of the total 12,000 m2 building is occupied by ancient, modern and contemporary art exhibitions. It also has an outstanding collection of artistic and documentary art media.
