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The first film exhibition in Catalonia took place on 5th May, 1895 in Barcelona. Almost a century later, in 1981, the Filmoteca de Catalunya, was born, dedicated to the conservation of film and audiovisual heritage and to the dissemination of film culture.

Today, the Filmoteca de Catalunya has a collection of more than 45,000 books, 20,000 graphic archives, 8,000 films, 5,000 sound tracks and 1,200 pieces of original film equipment. It is the result of the work of conservation, restoration, cataloguing, documentation and study of the film heritage of Catalonia carried out by this institution.

However, the best way to get to know the Filmoteca is through exhibitions, publications and film projections, nearly a thousand each year.

After acquiring a first projection room in the street Travessera de Gràcia and more than 20 years at the old Aquitània cinema in Sarrià, in 2012 the new headquarters in the district of El Raval were officially opened. This building, designed by Josep Lluís Mateo is the location for the main display and exhibition areas, a library and a bookstore.

The holdings and film collections are conserved in the other main site of the Filmoteca, the Centre de Conservació i Restauració, located in Terrassa, in the Parc Audiovisual de Catalunya.

The CaixaForum is located in the former fàbrica tèxtil Casaramona (Casaramona textile factory) in Montjuïc, which specialised in the manufacture of blankets and towels. This building designed by Josep Puig is an exceptional example of Catalan industrial "modernista" architecture of the early twentieth century. It comprises a set of single-story buildings, a horizontal construction to facilitate the transfer of goods through a system of internal streets that at the same time also served as a firewall.

The building was acquired by Obra Social "la Caixa" in 1963. In 2002, after a restoration and expansion project, it became a cultural centre for Barcelona. It offers social, cultural and educational programming that includes ongoing events such as lectures, film screenings, performances, concerts and family activities.

In addition, a quarter of the total 12,000 m2 building is occupied by ancient, modern and contemporary art exhibitions. It also has an outstanding collection of artistic and documentary art media.

Since 1988, the Museu de la Vida Rural (Museum of Rural life, MVR) has been showing visitors the characteristics of traditional life in Catalonia, concentrating in particular on the peasantry. It is one of the leading centres of conservation and ethnological research in the country, with a varied collection which allows you to explore the history of the Catalan rural world through a modern and innovative museum project.

The permanent exhibition displays objects related to the peasantry, the arts and artisanal crafts: pieces that represent an authentic cultural basis of our society. The tour is organised by areas of work: those of agriculture, the trades of the village (priest, teacher, cafe owner, pastry chef, spinner, apothecary, barber ...) and the domestic.

The centre, integrated into the Network of Ethnological Museums, forms part of the Lluís Carulla Foundation and is housed in the ancestral home of the Carulla family in L'Espluga de Francolí. The old building was restored and remodelled to accommodate the collection of the Museu de la Vida Rural. In 2010 a new annex building was constructed and the whole of the museum was renovated to accommodate its exhibition scheme in order to facilitate understanding of the rural world from a contemporary perspective.

La Devesa in Girona is the largest urban park in the Principality. With more than 2,500 one hundred year old trees, the main lung of the city is a site dedicated to recreation where nature is manifested in all its splendour.

Long rows of plane trees fill the 40 hectares of the Park. Their distribution creates genuine avenues and botanic walks at the confluence of the rivers Güell, Ter and Onyar, to the west of the historic centre of the city. The trees of this green oasis are hybrids of American and Eastern species, most planted in 1850. The short distance between them has made them grow upright, reaching heights that are around 55-60 metres.

The site, in which all kinds of constructions have been built over the years, is arranged around several avenues. The entrance, from 1898, preserves one of the two twin lodges that welcomed visitors and in the Camp de Mart (the field of Mars) are the sports facilities built in 1942. Also within the Park of la Devesa are located shooting ranges and a model airplane field, the Felix Farró municipal football pitch, the facilities of the Girona Equestrian Society, the Fira de Girona area, the Girona Auditorium and the Congress Centre.

Located in the foothills of the Serra de Collserola, the Laberint d’Horta (Horta Labyrinth) is a historic park of Barcelona and one of the oldest gardens that remain in the city. Designed in 1791 by Joan Antoni Desvalls, it is made up of 750 metres of trimmed cypress trees and is inspired by the myth of Theseus: whoever makes their way to the centre finds love as a reward.

Desvalls, Marquess of Llupià, Poal and Alfarràs, was a nobleman who loved science, nature and art, passions that came together in the construction of the maze. Following the ideas of neo-classicism and in collaboration with Italian architect Domenico Bagutti, he created a garden with a labyrinth of cypress trees, sculptures and reliefs depicting characters from Greco-Roman mythology who symbolise the different levels of love.

Currently, the park covers an area of 9 hectares and is divided into two parts: the neo-classical garden and the romantic garden. They are noted for their botanical variety and abundance of ornamentation, as well as the architectural elements of the romantic gardens (temples, water channels and sculptures, as well as the Palace of the Desvalls family). Despite not being the refuge of Minotaur, the labyrinth tests the sense of direction of those who enter.

To study, preserve and disseminate the history of the city; the Museu d’Història de Barcelona (Museum of the History of Barcelona - MUHBA) provides an explanatory showcase of the city through an extensive collection and various outstanding heritage areas. The Museum brings together cultural material that explains the past and the present and this translates into a rich and heterogeneous collection that continues to grow. The MUHBA is a mirror on the many faces of the city: an important historic centre, a new modernista city and a diverse complex of old towns and newly created districts.

The monumental complex of Plaça del Rei has been the foundational core of the Museu d’Història de Barcelona since it was created in 1943. In the ground beneath the Casa Padellàs you can see an important part of ancient Barcino; the visit allows you to stroll through the streets of Roman Barcelona, get close to the walls from the time, enter a laundry from the 2nd century AD, see the remains of the first Christian community of the city, etc. The complex is completed with important medieval buildings such as the Palau Reial Major (Royal Palace) and the Tinell salon. But in addition to these landmarks, the headquarters of MUHBA has a permanent exhibition, displaying pieces about the ancient municipal government, the guilds and brotherhoods of Barcelona, the cotton industry, festive and popular imagery of the city, nineteenth-century Barcelona and the urban reforms.

Over the years, this historic centre has expanded considerably and now includes up to 15 heritage spaces spread around the city. Notable is the Temple of Augustus, the Roman Sepulchral Way, the Call, Park Güell, Santa Caterina, the Turó de la Rovira and Fabra i Coats, among others.

The Drassanes Reials, the Royal Shipyards of Barcelona, were the great factory for the galleys that the Crown of Aragon needed at the height of its Mediterranean expansion. Located by the sea and at the foot of Montjuïc, for many years it was thought that they were the largest and most complete medieval shipyards in the world to have been preserved. But the excavations in 2012 showed that, at the end of the 16th century, on top of the old medieval building,a new shipyard had been constructed that corresponds to the current building.

The King Jaume I instigated the creation of the shipyards, even though it was Pere III who, in collaboration with the city and the Government of Catalonia, gave the final impetus at the end of the 14th century. The first building of this infrastructure was a large walled construction with a tower at each corner; later it was covered and expanded. The large gothic hall of eight naves that we see today dates from the 16th century, although it maintains the original gothic style. It is a wide and well-illuminated space thanks to the large windows and is covered with a wooden roof.

Currently the building is home to the Museu Marítim de Barcelona (Barcelona Maritime Museum). The collection was started in 1929 and has been enriched over the years. Highlights include the models of ships, nautical instruments, votive offerings, maritime paintings, figureheads and cartography. Also very popular are the replicas of the Royal Galley of Joan d’Àustria and the schooner of Santa Eulàlia.

Montserrat is a symbol for Catalonia and a point of pilgrimage for believers. The main attraction is the Mare de Déu (the mother of God), the patron saint of Catalonia. This Romanesque Virgin is popularly known as La Moreneta, due to the colour of the face and hands, darkened by the smoke of lighted candles.

The monastery was founded in 1025 on the orders of the Abbot Oliba, on top of a small chapel that Guifré el Pilós had donated to the Monastery of Ripoll.

The visit to Montserrat starts at the 16th-century basilica with Romanesque remains and a Gothic structure. Starting from here, the Plaça de Santa Maria, the epicentre, you can go over the whole complex, thanks to the great 19th-century renovation led by Josep Puig i Cadafalch.

Unmissable is the Museum of Montserrat. Its collection began with the materials of the biblical East brought back from his travels by Father Buenaventura Ubach. Since then, the collection has expanded with outstanding works from painters such as Caravaggio, Rusiñol, Casas, Nonell, Picasso, Monet, Sisley, Degas, Pissarro and Dali.

The museum being here is no coincidence. From the 17th century, Montserrat has been a cultural centre of the highest order as demonstrated by the exceptional library with more than 250,000 volumes from the monastery. Notable among the suggested activities is as visit to the Escolania, which is one of the oldest boys' choir schools in Europe, documented since the 14th century.

Near the Abbey, the neighbouring Monestir de Santa Cecília, is still preserved, which currently functions as the Sean Scully Art Space. Notable as well is the Romanesque church, also renovated in the 1930s by Puig i Cadafalch. Few know that this monastery was Abat Oliba’s first choice to extend his domains to Montserrat, but met with refusal of the community.

The musicians Lluís Millet and Amadeu Vives, founders of the Catalan Choral Society in 1891, commissioned Lluis Domenech i Montaner to construct a building as the headquarters of the organisation. However, they didn't want just any building, rather a unique building that would reflect the sentiment of the Catalan bourgeoisie of the late nineteenth century. On 23rd April, 1905, construction was started and the Barcelona high-society did not miss its opening on 9th February, 1908.

A particularly outstanding feature of the façade is the sculptural cluster representing Catalan popular music. Once inside, the visitor encounters main foyer, a baroque area full of colour, before they are presented with the real jewel of the building: the concert hall. Domenech i Montaner used a steel structure that supports the weight of construction in order to obtain a large, open and clean space. In addition, the ceiling is adorned with a large skylight in the shape of an inverted dome that represents a sun surrounded by female faces. The stage is the other big attraction of the hall, flanked by the most important sculptures of the building.

Domenech i Montaner designed a palace where architecture is combined with sculpture, joinery, marquetry, glasswork, mosaic and ceramics. This is what we know as a true work of art.

Who says that a hospital has to be white and devoid of all decoration? Thanks to the legacy of the banker Pau Gil, in 1902 the modernist architect, Lluís Domènech i Montaner, planned a hospital full of beauty, rich in ornamentation, colour and vegetation.

It is a monumental complex consisting of 27 red brick pavilions located on the border between the districts of Eixample and Guinardó. It is a true hospital city where, surrounded by gardens, medical and general treatments are provided, and where apartments and a church are located. Everything is connected via a 2 km underground passage systemthat allows patients to move about without going outside.

The project by Domènech i Montaner, that would be finished by his son in 1930, is a completely innovative architectural and urban conceptin terms of the typical 20th century hospital. The hospital separated services to avoid contagion and favoured natural light and open spaces to freshen the air and provide a more pleasing environment for the patients .

After more than 80 years of healthcare activity, the hospital was moved to new buildings in 2009. Once vacated and renovated, Domènech i Montaner's modernist pavilions became the home of other institutions.