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Castelldefels Castle is perched on a hill at 59 metres above sea level. This monumental ensemble, which lends its name to the town, was built in the 10th century over what had been an Iberian settlement and, later, a Roman villa.

The castle was strategically constructed overlooking the Mediterranean Sea, overlooking a commanding position to control the territory and the coastal strip.

It was used for centuries as a fortress to defend the Eramprunyà barony, and was restored and fortified in the 16th century against attacks by Berber privateers.

Piracy began to fade away in the 18th century, and the castle fell into the hands of several noble families. One name that is closely associated with the fortification is the banker Manuel Girona, who bought and spearheaded the restoration of this iconic city landmark in 1897.

During the 20th century, it was used as a military training centre by the Republican authorities during the Civil War in 1937 and early 1938. Shortly afterwards, the castle and church were converted into a prison for international brigade members in March of the same year. Visitors can see original graffiti by these brigadiers in Santa Maria church in Castelldefels. This 10th-century church is the part of the ensemble that retains the oldest remains, with walls dating from the Iberian, Roman, medieval, modern and contemporary periods.

Both the castle and the church have been declared a Cultural Asset of National Interest.

Another impressive feature is the Fencing Room, which is decorated with 18th century paintings, and the Institutional Room, or the Noble Room, which bore witness to the grand feasts and celebrations attended by the Catalan bourgeoisie at the beginning of the 20th century, and which retains its neo-Gothic décor.

The origins of the Benedictine monastery of Sant Pere de Casserres stand half way between history and legend. The latter explains that one of the sons of the viscounts of Osona and Cardona spoke only three days after being born to announce that he wouldn't live for more than 30 days. Once dead, they had to put his body on a mule that would walk without being guided. At the spot where the mule would stop, a monastery was to be constructed.

The version that speaks about the monastery's strategic position seems more likely, with the monastery situated in a very pronounced bend of the Ter river. Previously, it was the site of a castrum serrae or defence tower. It was a building that the viscounts would decide to convert into a monastery.

Ermetruit, viscountess of Osona, was the monastery's promoter, the only one from the Benedictine order in Osona. Construction began in 1005 and, seven years later, monastic life began; the church was consecrated in 1050.
With the exception of short favourable periods (when the abbey had the support of the local nobility like the lords of Savassona, Tavertet and Sau), the monastery was marked by misfortune. Only ten years after the consecration of the church, the abbey fell to the category of priory because it had less than 12 monks and in 1079 Sant Pere de Casserres came to be a "branch" in Catalan lands of the powerful abbey of Cluny.

Between the 13^th and the 15^th century, Sant Pere de Casserres entered into decline from famines, wars and epidemics, such as the Black Plague of 1348. In the 19th century, the monastery passed into private hands and was used as a farm and tenant housing. The current group is the result of a series of restorations, like those done by Camil Pallàs (1952-1962) and Joan Albert Adell and the County Council of Osona (1994-1998).

The temple is a compendium of the Romanesque: three naves separated by pillars and crowned by semi-circular apses. The decorative architectural elements also rigorously follow the "style" of time, with blind arches, toothed friezes and a small cloister with semi-circular arches supported on columns. The church's interior was completely decorated with mural paintings, although nowadays only a few very deteriorated examples remain.

Two elements, escape the canon: on one hand, the church measures longer in width than length, an uncommon fact in the Catalan Romanesque style. On the other hand, the bell tower is -unusually low- is no more than two floors in height. Two curiosities of the monastery's exterior must be highlighted: the rectangular shaped building that serves as hospital and the area where numerous anthropomorphic tombs are conserved.




Author of the photographs: Josep Giribet.

The Royal Shipyard building, where many of the boats that would set sail during the Medieval and Modern period, are now gathered in the Maritime Museum of Barcelona (MMB). Therefore, there is no better place to explore and learn about the maritime culture and history of Catalonia.

The large gothic naves House the boats of the permanent collection of the museum, such as the Royal Galley, the boat República or the catboat Jean et Marie, going through shipbuilding between the 13th and 18th centuries.  Other pieces of note in the collection are the multiple figureheads that the museum holds and marine instruments such as octants and sextants, mechanical sonar devices, compasses and nautical astrolabes, among others.

The restored Royal Shipyards of Barcelona opened their doors on 16 February 2013, once the restoration was finished for this extraordinary heritage site. The renovation also includes the Museum, which now displays elements that facilitate interactive dialogue, life experience and cross-disciplinary knowledge of maritime culture and history using multiple disciplines.

Three physical elements have marked the development of Santa Coloma de Gramenet: the mountain (Puig Castellar), the river (Besòs) and the city (Santa Coloma).

These three concepts make up the discourse of the Balldovina Tower Museum, a local multi-disciplinary museum inaugurated in 1987, which safeguards the cultural and natural heritage of this city near Barcelona. Starting with the building that it occupies, a defensive tower form the 11th century, which has had different uses throughout history: an agricultural building from the 14th century, a large manor in the 18th century and, finally, the summer residence of the family of the sculptor Josep Maria de Sagarra.

An important part of the permanent exhibit goes back to the origins of the city, linked to the Iberian site of Puig Castellar. You cannot miss the Treasure Room, displaying the most significant Iberian pieces found during excavations. Some are really valuable such as the zoomorphic wrought iron andiron and a sheet of lead with an inscription.

During the tour, you can find out how the Laietani who became established in this area lived: economy, technology, society, writing, beliefs... You can even see the reconstruction of an Iberian house.

The medieval and modern history collection include the collection of coins and ceramics coming from Molí d’en Ribé and Mas Fonollar. Different objects from different professions coming from old establishments in Santa Coloma serve to explain part of the contemporary history of the city.

How does a Barça player feel when he is about to go out onto the field? Lovers of football can experience that here in the flesh at this museum. Currently it is one of the most visited museums in Catalonia, with an annual average of more than 1,200,000 people.

The idea to make a Barça Museum was by Joan Gamper, the founder of the club. It was finally inaugurated in the year 1984. Since then, visitors have been able to see the trophies won by all the sporting sections of the Catalan club throughout its history and all kinds of objects related to the team, the players and the followers.

It also has a sport art collection, with works by Salvador Dalí, Joan Miró, Antoni Tàpies and Josep Maria Subirachs. Additionally, it holds the Futbolart Collection, owned by Pablo Ornaque, considered to be one of the best private collections in the world concerning football.

Starting in the year 2010, the Camp Nou Experience project began, a tour that places the visitor in a leading role using immersive technologies (video walls, touchscreens, audio, recreations, etc.). Apart from the museum, you visit the Stadium, the Messi Area and the Multimedia Area. During your visit, you can go through the locker room tunnel and transport yourself to a big final or photograph a replica of the European Cup in the press room.

Joan Vila Cinca, Pere Quart, Josep Renom... Sabadell in the beginning of the 20th century was boiling over artistically and culturally and the first fine arts and archaeology collections in the city started to get organized. From there arose the need to create a local museum. In the year 1931, the Museum of the City opened its doors and, starting in 1970, it was definitely established as the Sabadell History Museum, an obligatory stop to learn about the origins of the Vallès plains.

The museum is located in the factory home of the industrialist Antoni Casanovas, erected in 1859. This is a multi-disciplinary museum, which includes local archaeological, historic and ethnological collections.

In the permanent exhibit, visitors can discover how the first prehistoric communities in the area lived, using materials between 6,500 and 2,600 years old such as the variscite necklace which was part of the burial objects of a Neolithic tomb (found in the site of Bòbila Padró - Can Tiana). You can even go inside the reconstruction of a prehistoric hut!

The tour continues by showing the footprints that the Iberians and the Romans left on the region (don’t miss the mosaic from the 2nd-3rd centuries A.D., with the image of the god Neptune, coming from the Roman villa of La Salut). Finally, it focuses on the collections connected with the manufacturing of wool and the textile industry, which turned Sabadell into a big industrial city.

The museum also has 13 areas on different periods which complete the story and the experience of the city’s history.