Urban area

If you want to take a trip back in time and get an insight into the Spanish Civil War, Poble Vell de Corbera d'Ebre is a must-see.

Located at the top of the Montera hillock, it is one of the most symbolic places of the Battle of the Ebro, the most difficult and decisive of the war. Between 25 July and 16 November 1938, after 115 intense days of conflict, life in Corbera d'Ebre changed.

Located on the front line of the Republican Front, the old part of the village was destroyed by aerial bombardment and artillery from Franco's army. The village was abandoned and, over time, the community moved to the lower part of the hill and built Poble Nou.

Now Poble Vell is a place of memory, an open-air museum. It provides a first-hand account of the historical facts and the devastating consequences of the war. In addition to the streets and houses, we can also admire the monuments to the International Brigades and the 'Permanent Flame', the sculpture 'The Boot', by Joan Brossa, and 'La Foradada'. A must-see is the Freedom Alphabet, a collection of 28 works spread out around the town to emphasise the value of words over force and violence. And the spectacular late 18th-century Baroque church, Església Vella de Sant Pere, which remained standing despite the battle. It has since been restored and now hosts artistic and cultural events.

In 1992, Poble Vell de Corbera d'Ebre was declared a Cultural Asset of National Interest by the Government of Catalonia and is a monument to Peace.

The natural annex of La Rambla, the Plaça Reial is one of the most emblematic squares in Barcelona. Built in the mid-19th century in order to spruce up the Gothic quarter, this is a clear, clean and open space constructed amid the high density of buildings in the old town of the city.

Francesc Daniel Molina led the architectural design project, inspired by the French neo-classical squares of the 17th century. The construction began in 1848 in a space formerly occupied by a Capuchin convent. The square is surrounded by a complex of identical buildings that are raised on semi-circular arches: above the arches, two main floors are framed by a giant order of Corinthian pilasters; the 4th and top floors are recessed, forming an attic floor, and are crowned by a cornice with balustrades.

The portals and façades are decorated with Hellenic terracotta, busts of navigators, coats of arms supported by Indian children and busts of explorers of the Americas, following the neoclassical style in an age in which Spain had already lost all its continental colonies. Behind the arches are shops, situated in a space that is protected thanks to the porches with Catalan vaults.

The centre of the square is dominated by the fountain of the Three Graces, a cast iron ensemble manufactured in the workshops of Durenne in Paris, surrounded by two street lamps with 6 arms, an early work of Antoni Gaudí. In the centre of the square and dotted about irregularly, there are the emblematic palm trees of different heights. And it is these that give the Plaça Reial its characteristic appearance.

Designed originally for the bourgeoisie of the time, the Plaça Reial has been, throughout its history, one of the epicentres of the Bohemian lowlife of Barcelona.

In the late Middle Ages, one of the most important baronial families of the Girona region settled on one of the hills of the Serra de Finestres, within what is now the La Garrotxa Volcanic Zone Natural Park. Little by little, the population started to grow around it and it became the village of Santa Pau. Today, the village still retains the essence of what was a centre of economic and commercial power.

The appearance of the old city, built mostly in the first half of the 14th century, is typically medieval, surrounded by walls and with narrow and irregular streets. The focal point of the town is the Plaça Major or Firal dels Bous, a triangular arcaded square where the markets and fairs took place. And, since 1297, the town has had the privilege of a protected area for holding markets. In front there is the Castle, which was built on the highest point of the village. Construction started in the 13th century, although it was later given the current appearance of a large stately home.

The square is dominated by the Gothic Church of Santa Maria. This is the current parish church, after the Romanesque Church of Santa Maria dels Arcs, on the outskirts, was badly damaged by the earthquakes in 1427 and 1428.

The rest of the medieval town is structured around Carrer del Pont and Carrer Major. It is from Portal del Mar (Gateway of the Sea) that the best views of the surrounding valleys are to be had and, on a clear day, one can even see the Gulf of Roses.

Little has changed in the urban morphology of Peratallada since medieval times. And not only has it not expanded beyond the city walls, but it has managed to preserve its architectural and urban origins as can be appreciated when walking through its narrow and winding streets. Not for nothing is it one of the most important town centres of Catalonia in terms of medieval architecture.

The fortified town is concentrated on top of a huge natural sandstone rock, artificially carved to give height (hence the name “pedra tallada” or "carved stone"). At the top, we find the Castle (11th century, but with signs that there might have been an earlier structure), with its Keep Tower and Palace.

A wall that formed the first enclosed area extends around the Castle, which was surrounded by two further walls. Of this defensive system, some of the walls, the valleys dug into the rock, towers such as the Torre de les Hores (Clocktower) and the Portal de la Verge (Gateway of the Virgin) still survive. The town was therefore divided into three sections between the walls, which accentuate the network of passageways and alleys.

About 200 metres to the north, outside the walls, is the parish church of Sant Esteve, dating from the late Romanesque period.

The name Pals (derived from the Latin palus, "marshy terrain") perfectly describes the geographic framework of marshes and swamps that existed on this stretch of coast. Therefore, it is not without reason that the town originated at the top of a hill, above the plain. Today, the historic centre of Pals, known as the Pedró Quarter, allows one to make a tour of the medieval past of the village.

Projecting above the roofs of the old town is the Torre de les Hores (Clock Tower), the only remaining evidence of the old castle of Pals. It was the Keep Tower, circular and in the Romanesque style, built on a podium of natural rock. Its name comes from the small Gothic bell tower of three pilasters that was added in the 15th century.

The Church of Sant Pere is a building with a single nave, built in the Gothic style, with some later additions such as the Baroque portal. This replaces an earlier Romanesque building (12th century) of which the remains of the western façade have been preserved, incorporated into the current front façade. In building the nave, they probably made use of the stone from the Castle, which was in ruins.

The walls of Pals are one of the best preserved in the Empordà region. The course of the wall remains virtually intact, and only a few sections have been transformed or destroyed, particularly on the eastern and southern sides, which is where the town has been extended. The interior of the old town is a complex of narrow and steep streets, which are centred around the Carrer Major, which has covered sections. What gives unity to the whole complex is the yellowish colour of the walls which derives from the sandstone with which they are built.

Baetulo was founded ex novo around 100 BC as one of the first colonies of Hispania Tarraconensis. But it was largely in the time of Augustus that it became a prosperous city on the Mediterranean coast, famous for its production and exportation of wine, as evidenced by the wine amphorae from Baetulo found throughout the Empire. Today, the remains on display of this Roman colony, which gave rise to the current Badalona, are some of the best preserved of Catalonia.
 
With the first official excavations, in the first third of the 20th century, the first finds began to appear. However, the museumisation of the city’s Roman heritage began in 1955, when the baths of Baetulo were discovered in a wonderfully preserved state. The Museum of Badalona was built on top of these baths and was opened in 1966.
 
After the reforms carried out in 2010, this premises displayed, in a circular route of over 3,000 m2, the baths (preserved in their entirety), the decumanus and cardo maximus, with a complex of houses (insulae) and shops (tabernae), as well as the remains of the sewers. The route takes in the permanent exhibition, which includes pieces such as the Tabula Hospitalis. The jewel of the Museum, however, measures just 28 cm high: it is the Venus de Badalona, one of the most important female representations from Catalonia. The sound effects, the lighting and the elements of historical reconstruction complete the space allowing visitors to immerse themselves in the world of ancient Baetulo.
 
Other elements from Roman Badalona that can be visited are the House of the Dolphins (with high-quality mosaics and remains of the original wall paintings), the Garden of Quintus Licinius (with the remains of a Roman swimming pool) and a stretch of 38 metres of water conduit with a barrel vault, which provided drinking water to the houses, the fountains and the baths. These demonstrate the heights of splendour the city had reached.

"Iulia Augusta Faventia Paterna Barcino”. This inscription on a tombstone in the Museu d'Història de Barcelona (Barcelona City History Museum) shows the full name the Romans gave the city when they founded it in the years 15-13 BC during the time of the Emperor Augustus and which would become what is now Barcelona. For centuries it was an important colony of the Laietània, who went on to play a more important role in the final period of antiquity.
 
Although much of Roman city remains hidden, numerous archaeological excavations continue to provide information about what life was like in Barcino. Nowadays, the various remains can been seen in museums.
 
A significant part of the colony is visible in the archaeological subsoil of the Museu d'Història de Barcelona, where evidence of its monuments and the everyday life of its inhabitants have also been preserved. It is complemented by the Domus Avinyó and Domus Sant Honorat, residential houses that belonged to important personages of Barcino.
 
In the central area of the Forum there was an imposing temple dedicated to Augustus, of which three columns are preserved in situ within the premises of the Centre Excursionista de Catalunya. Not very far away, in the current Pati Llimona, we find the monumental remains of the Porta de Mar (Door of the Sea) and the baths that were located on the outside of the maritime entrance.
 
Also significant are the necropolis such as that on the Plaça de la Vila de Madrid, which displays 85 funeral items, and the Drassanes Reials, where a mausoleum has been preserved. Both are found next to the roads that left Barcino.
 
Other remains of Roman Barcelona that can be seen are the fragments of the wall (both the original from the 1st century BC and those built over them in the 3rd century AD), some defensive towers, the remains of the cemetery that was used as a sewer and which surrounded the perimeter of the wall and some arches and arcades from one of the two aqueducts that supplied water to the city.
 
Outside the walls, Barcino had an extensive ager (farmlands) where various villas have been identified.

Tarragona and its surrounding area retains important traces of the Roman influence in the Iberian Peninsula. The archaeological complex of Tarraco was declared a World Heritage Site in 2000: the urban development of the city, as well as the density and the quality of the remains, make it a universal and incomparable asset.

The archaeological complex includes several monuments from the 3rd century BC until the 6th century AD, which are very well preserved. All of these are characteristic of provincial capitals, as was ancient Tarraco. The walls are notable for being the oldest construction in the city and an example of military engineering. Of the forum, the large square in which much of public life was focused, a section of arcade of the Basilica and part of a street are preserved; the rest of the complex is still hidden beneath the footprints of the modern buildings.

The theatre was built in an area outside the walls, very close to the forum and, as was usual, made use of the slope of the land. The three elements that define a Roman Theatre have been partially preserved: cavea (or the tiered seating), orchestra and scaena (stage). In the circus, the space where the cart races were run, a good part of the vaults and some sections of terracing, the remains of the façade and the podium, can be seen today, as well as some of the monumental doors through which the building was accessed.

But without doubt, the amphitheatre is the most iconic of the Roman trail in the city, and completes the trilogy of theatrical buildings. The characteristic arena is present – where all the spectacles were performed - surrounded by the cavea to accommodate the public; the remains visible today in the arena are from the Basilica and the Romanesque church of Santa Maria del Miracle ( 12th century), built on the same spot where the popular Saints of Tarragona, Fructuós, Auguri and Eulogi, suffered martyrdom.

On the outskirts of the city, near the Francolí River, the Early-Christian Necropolis constitutes one of the most extensive and important burial areas of Tarraco: this exceptional cemetery is considered the largest and most important in the whole of the west of the Roman Empire, with more than 2,000 burials.

Around Tarraco we find other buildings of great importance such as the Ferreres Aqueduct (Devil's bridge), the Triumphal Arch of Barà, the mausoleum of Centcelles, the Mèdol quarry and the Villa of Els Munts, among others.

Founded as a military camp by Gnaeus Cornelius Scipio, Tarraco prospered both thanks to its coastal location and to its position in relation to the land routes to the interior of the peninsula. Thus, the city became a Roman colony, head of a conventus -a judicial demarcation - and capital of the province of Hispania Citerior and Tarraconensis.

Iesso, located in the present-day town of Guissona, is one of the few Roman cities in Catalonia on which the present-day city has not been completely superimposed. This gives it considerable archaeological potential. In addition, it is one of the most well-documented examples of urban activity that unfolded in Catalonia in 100 BC: a crucial historical moment in which the urban network inherited by our current cities, began to be constructed.

Ancient Iesso was an important inland capital of the empire. About 20,000 people lived there and it occupied twice as much ground as Barcino. In Roman hands, the city experienced 700 years of prosperity, based on agriculture and intense commercial activity. The original town was surrounded by walls and the streets arranged around two axes, the cardo maximus, on a north-south orientation, and the decumanus maximus, running from east to west, following the usual urban plan of Roman cities.

The constructive and commercial activity of Iesso continued up to the Visigothic period (6th century), even though the period that followed the dissolution of the Roman Empire in Guissona was a historic moment of unknown force.

Nowadays, the Archaeological Park of Iesso offers the perfect example in which to discover the development and the transformation of the Roman city over time. Notable are the large public baths, with an advanced system for the circulation of water, the remains of a facility to produce wine and a large manorial house organised around a central courtyard.

During the 14th and 15th centuries, Tortosa was a commercial enclave of the highest order. This splendour can be seen in buildings such as the Cathedral, the noble palaces, the Episcopal Palace, the walled enclosure or the llotja (the exchange). In the 16th century Tortosa was one of the most important cities in Catalonia politically, economically and demographically. It is from this period that the Royal Colleges date, the most important Renaissance complex in Catalonia.

The monumental complex consists of three buildings. The most important thing is the College of Sant Jaume i Sant Maties, from 1564, which started out to educate young Muslim converts. It is a large two-story building organised around a central courtyard – the only Renaissance courtyard in Catalonia - noted for its rich sculptural ornamentation with a strong Italian influence.

The other building is the College of Sant Jordi i Sant Domènec, from 1578. It was originally a Dominican convent, but Francoist shelling (1937-1939) left only the simple Renaissance portal of two buildings standing.

Completing the complex is the Church of Sant Domènec, from 1585. It is a church with a single nave, in Gothic style, with side chapels. Currently the central nave is dominated by the storage-archive from the now disappeared town hall. Since 2008, it has hosted the Renaissance Interpretation Centre.