Historical

In the 17th century, the Papiol family settled in Vilanova de Cubelles, what is now Vilanova i la Geltrú. Their power and their properties increased until they became one of the most influential families of the time. A good demonstration of this can be seen in the house: a 5-storied mansion right on the main street, something which few families could afford.

The house was built in 1790 for Francesc de Papiol i Padró and it took 11 years to finish. An austere neo-classical façade hides opulent lounges in which, right up until the 1950s, the local high society would gather. In 1961, it was opened to the public as the Museum of Romanticism, following in the footsteps of the Can Llopis in Sitges. It has kept the original structure, layout and decoration.

The piano nobile (main floor), the main residence of the family, reflects a refined nineteenth century taste in which the grisailles on the walls stand out. During the visit you can see the music room, the billiards room, and in particular the large ballroom, where the family received guests. The tour also takes in the private rooms of the master of the house and the bathrooms and dressing rooms. The house also has a small private chapel, in the neo-classical style, and a library of about 6,000 volumes dating from between the 16th and 19th centuries.

The mansion is further divided into two areas: the servants area (which includes a kitchen, a bread oven and pantry) and farm labourer’s area (barn, cellar and stable). At the rear of the residence there is a romantic garden that houses carriages and bicycles from the time.

The Llopis family were dedicated to the cultivation of vineyards. In fact, the winery produced the Malvasia Llopis, a sweet wine characteristic of the town of Sitges. The last member of the family, the diplomat Manuel Llopis i Casades, bequeathed the family home to the Government of Catalonia, together with the furniture and other objects, for the purpose of setting up a museum dedicated to Romanticism. And thus the Can Llopis Romantic Museum opened its doors in 1949.

The building is a house built at the end of the 18th century in the sober and elegant neoclassical style. The interior reflects how a bourgeois family lived in the 19th century, evolving from the aristocratic tastes at the beginning of the century to the splendour of the romanticism. This evolution also can be seen in details such as the lighting, which combines candle chandeliers with gas lighting.

The Museum has a series of dioramas which illustrate daily life and the popular traditions of the 19th century. It also houses the collection of dolls and toys of the artist Lola Anglada, made up of more than 400 pieces from the 18th and 19th centuries. Before leaving, visitors can’t miss seeing the carriage with seating for up to 14 people and the collection of velocipedes.

In 1882, when the Romanesque castle of Montcada in the old town of Vic was demolished, the remains of a Roman temple appeared among the ruins. This was the ancient Roman temple of Ausa which had been preserved in excellent condition. The building dates from the 2nd century, after the Roman conquest of Hispania. The reconstruction lasted for 77 years (1883-1959), but it is currently one of only two Roman temples throughout Spain to have been preserved practically complete.

The temple, built on a podium, consists of a cella (small chamber) and an atrium with 8 columns. Two of the walls of the cella were found almost intact. A capital, a section of the shaft of the column and the original fragments of the pediment were found amongst the rubble which allowed the exterior of the monument to be reconstructed.

The castle which occupied the temple area was built in 897 by Guifré el Pilós (Wilfred the Hairy) and, from the 11th century, was the property and residence of the Montcada family who reused the four walls of the temple to construct the castle’s central courtyard. Afterwards, the building was used as a residence of the veguer (feudal administrator), headquarters of the Royal Curia, the city’s granary and, finally, a prison and quarry. By the 19th century, it had lost its fortified appearance completely and had been converted into a rather forbidding mansion. Still preserved today are part of the vaults and walls of the north and west sections of the castle.

The roar of the water, the smells, the noise of carts and workers were, from the end of the 18th century, a constant presence on the banks of the Rec d’Igualada (irrigation channel). And it is here that new tanneries began to be built. The Leather Museum of Igualada and the County of Anoia recalls this industrial past of the city, linked to leather and also to the manufacture of wool. Conceived in 1954, it is one of the first monographic leather museums in Europe. It also forms part of the Territorial system of the Science and Technology Museum of Catalonia (mNACTEC).

The two buildings that make up the Museum, the industrial evolution of the Rec area is summarised. The main location is in the Cal Boyer cotton factory, an example of strong industrial growth at the end of the 19th century. The other, Cal Granotes, a pre-industrial building (18th century) where traditional vegetable tanning of the leather, particularly of ox and cow, was carried out. It is currently the only tannery museum in Catalonia.

The permanent exhibition is divided into different areas. Particularly notable is the room “L’Home i l’Aigua” (Man and Water) which addresses topics such the role water plays in health, the economic uses of water and the elevation of the water and its transport. It is an innovative museum space where, in the central section, the visitor will find a water channel where they can experiment with various hydraulic devices.

In the room "Dels clots als bombos" (From the pits to the drums) the historical development of the tannery trade is explained: from how the leather was tanned in 1890 (making the connection to Cal Granotes) to the tanning barrels and other machinery that is now  powered by electricity.

The town of Cercs, in Berguedà, forms part of the most important mining centre in Catalonia, particularly from the modern mining of brown lignite coal in the late 19th century. To ensure stable labour in such an isolated place, a colony was built with housing and basic services for the miners, following the example of the textile colonies in the region.

Since 1999, the colony of Sant Corneli has been home to Cercs Mines Museum, which explains what the mining activity in the area was like over many years, from a geological, landscape, social and economic point of view. The Museum belongs to the Territorial system of the Science and Technology Museum of Catalonia (mNACTEC).

The main building of the Museum is the old school of the colony, which was converted in 1931 to the "Hogar del Minero" (Home of the Miner) dedicated to services for workers (café, library, barbershop, cinema, games room, etc.). Here you can see the permanent exhibition that explains what coal mining and the mining infrastructure was like. A significant part is devoted to daily life in the colony and to the working conditions of the miners. Two audiovisual displays describe their most emblematic protests and you can also visit a miner’s house.

In 2012, "The spectacle of the mine: emotions and sensations" was included as part of the exhibition which delves into the world of mining through a immersive museum experience using new technologies.

Finally, a guided tour of the interior of the mine transports the visitor to other periods and you can travel along the first 450 metres of a 7 km long gallery in a wagon.

From history and ethnography to geography and the economy, also taking in the ecology. The Museu de les Terres de l'Ebre (Museum of the Lands of the Ebro in Amposta) gives a cross-sectional view of the Ebro delta region. Visitors can learn about the Ilercavones, learn different ways of fishing, even see a ‘llagut’ up close, the most characteristic river boat.

It was created in 2011, as an expansion and updating of the previous Museu Comarcal del Montsià (Montsià County Museum). It occupies the old modernista building of the Miquel Granell state school, which has been converted to meet the needs of a modern and thought-provoking museum project. The museum conserves and manages one of the most important collections of nature, archaeology and ethnology in the Terres de l'Ebre region made up of more than 35,000 objects, among which the Falcata stands out, an Iberian sword that forms part of the set of urns and artefacts from the Iberian necropolis of Mianes (Santa Barbara).

The permanent exhibition "The lands of the Ebro: from prehistory to the middle ages" takes a tour through the history of the banks of the lower Ebro, starting from the archaeological remains found in the area. The second room, "Ebro: the water road" focuses on the influence of the most important river on the Iberian Peninsula on history and the collective identity, and reflects on what the future of the territory will be like.

On the museum’s website, various archaeological items can be viewed in 3D.

The museum will head up the network "Ebro nature & culture" which brings together museums, interpretation centres, archaeological sites and monuments in the different municipalities of the Ebro.

Since 2004, the Masia de Can Serra in Sant Adrià de Besòs has housed the History of Immigration in Catalonia Museum (Museu d'història de la immigració de Catalunya - MhiC) which acts as a centre for research and dissemination of the memory of migration in Catalonia. In doing so, the Museum offers a permanent exhibition divided into three areas using modern, interactive and educational museum resources.

The Humans in Movement area shows the historical trends in human movement from prehistoric times until the 20th century. The visit continues inside an old railway carriage from the mid-20th century: the Sevillano. This space pays tribute to the generation of internal migrations to Catalonia in the 20th century. It also includes testimonies and memories of those who were passengers. The last area presents migrations of the 21st century, which take place in a globalised world in continuous transformation.

The MhiC also has a documentation and resource centre. Forming part of the collection are the oral memory questionnaires that those who have taken part in the migratory processes can fill out.

It was in 1951, and the industrial engineer Eustaquio Ugalde Urosa had just bought a plot of woodland right next to the sea at Caldes d'Estrac. Sitting under a carob tree and enjoying the views, he decided to build a house in this idyllic spot that would allow him to keep the landscape as it was. He commissioned his friend Josep Antoni Coderch for the project, who designed a two-storey house and garden made up of a set of volumes that perfectly met the original brief: they are perfectly integrated with the natural environment.

The views over the sea and the landscape of the site determined the building’s construction. It sought a space for itself in the middle of the forest, where it rises discreetly, respecting the environment. Local materials were also chosen, those typical of Mediterranean popular architecture such as the stone walls, the concrete slabs, floors with red terracotta tiles, wooden roofs or with tiled vaults.

The use of Catalan construction traditions is combined with more modern architectural forms. Thus, Casa Ugalde is an irregular building, open-plan and free-flowing, both on the plan and the elevation which fosters the fluid communication between the interior and the exterior. While inside all the walls are straight, the outside is dominated by a curved wall that separates the house from the wood. Within the whole complex, the terraces play a major part. The spaces are open and well-lit, thanks to the light that enters the building from all sides and the white colour of the whole building.

Work on the house finished in 1952. Its external appearance has been maintained up to the present day, despite the reforms of successive owners.

A la cruïlla entre el Baix Aragó i la desembocadura del riu Ebre, trobem un jaciment arqueològic ibèric molt inusual. Aquí, al punt més alt del recinte, s’ha conservat una gran torre , testimoni del seu període més gran (l’assentament ja existia cap al 600 aC, tot i que fou al segle V aC que es va fortificar). Però això no és tot. El coll del Moro és un dels pocs pobles ibèrics de Catalunya en què s’ha descobert una necròpolis visitable.

Situat en un punt estratègic d’Ilercavònia, l’assentament controlava el flux del comerç comercial entre la costa i l’interior. De manera significativa, s'ha localitzat un taller dissenyat per al processament del lliçó i la fabricació de tèxtils .

La necròpolis, amb tres zones sepulcrals , dades aproximadament entre els anys 800 i 450 aC sembla que conviurà amb la ciutat a la seva primera fase. El lloc estarà ocupat fins al segle I dC.

This Iberian village at the mouth of the river Ebro, located on a hill in the Serra del Montsià, had some very distinguished inhabitants: the elite of the Ilercavones tribe who, from here, controlled the surplus from other settlements in the area and the trade in luxury products with other villages of the Mediterranean.

Moleta del Remei is considered to have been a large village from the first iron age and then became a long-lasting and important Iberian settlement. In fact, it is the only continuously occupied village in the south of Ilercavonia (from the 7th century BC to the 2nd century BC).

The archaeological site has a fortified enclosure with monumental defensive systems, and walls with towers and bastions that had no military purpose. Rather, these were elements of prestige that indicated the status of the inhabitants of the village. Inside, ring roads have been identified and almost all the houses have been built against the wall. Three buildings have been found which might have had a worship function, where child burials have been found.