Plastic and visual arts

This medieval building is the gift Dalí gave to Gala, his wife and muse. The Gala Dalí Castle house-museum in Púbol, open to the public since 1996, both encapsulates the relationship between the two lovers and, at the same time, allows the creative talent of the artist to be discovered in all sorts of decorative details.
 
In 1969, Salvador Dalí acquired the castle of the Barony of Púbol, a fortification from the 14th-15th century that was in a very poor state, but which had a captivating mysterious and romantic appearance. The artist himself personally took charge of the interior décor, creating pictorial representations on the walls and ceilings and faux architectural features. He gave the rooms antiques, Baroque textiles and romantic symbols, creating a sombre and sensitive atmosphere, designed as a refuge for his wife.
 
The whole building celebrates the cult of Gala, almost as if she were a feudal Lady. The couple even agreed that Dalí would not visit unless he had received an invitation from her in writing.
 
In the 1980s, the castle was transformed into Salvador Dalí’s last studio. Nowadays, one can see the paintings and drawings that Dalí gave Gala, sculptures of long-legged elephant sculptures in the garden and a collection of haute couture dresses. However, one of the most important elements is undoubtedly the mausoleum in the basement, designed by the painter, where Gala was buried, the Lady of the Castle.
 
The Gala Dalí Castle in Púbol forms, together with Salvador Dalí's House in Portlligat and the Dalí Theatre-Museum in Figueres, the ‘Dalí triangle’ of Empordà.

"Everything I know I learned in Horta" said an already established Pablo Picasso about his relationship with the village of the Terra Alta. These emotional and artistic links have been on display at the Centre Picasso since 1992.
 
Based in the Old Hospital of Horta de Sant Joan, a Renaissance building from the 16th century, this private organisation permanently exhibits facsimile reproductions of all works made by the painter from Malaga in his two visits to the town, in 1898 (invited by his friend Manuel Pallarès to convalesce after an illness) and in the summer of 1909 (accompanied by his girlfriend, Fernande Olivier). Also displayed are works evoking Horta that were made in Barcelona and Paris. In this way, the Centre allows works from two stages (his beginnings and Cubism) to be seen side-by-side which are otherwise currently distributed in museums and collections around the world.
 
The exhibition is complemented by objects, photographs and testimonials that illustrate Picasso’s time in the village, such as the table and the chairs from the bar where Picasso and Fernande played dominoes, chatted and drank Anís del Mono, or the easel the artist used during his stay at the Llotja de Barcelona.

The politician and writer Victor Balaguer, as a man of the Catalan Renaixença, was convinced that culture was the basis for the people’s progress. For this reason, in 1884, he commissioned the first public building in the country intended to function both as a museum and a library, to be built at Vilanova i la Geltrú, and in which to make his art, book and ethnographic collections available to the public.

Currently, the Museum has a collection of more than 8,000 items that include an archaeological and ethnographic collection donated by some illustrious friends of Víctor Balaguer. The highlight being the mummy of a child from ancient Egypt, popularly known as Nesi.

As regards to the art exhibits, part of the original collection can be seen in the Pinacoteca (art gallery) room which recreates the atmosphere of the Fine Arts salons of the 19th century. Pictures by Marià Fortuny, Ramon Martí Alsina, Joaquim Vayreda and Joaquin Sorolla show the bourgeois tastes of the time. Complementing this room are the works by El Greco, Ribera, and Rubens, donated at the beginning by the Prado Museum.

The tour continues through Modernisme, Post-modernisme and Noucentisme with small-format works by Santiago Rusiñol, Ramon Casas, Anglada Camarasa, Francesc Domingo and Xavier Nogués. It also has the most comprehensive collection of informalist art in Catalonia that comes from the first Barcelona Museum of Contemporary Art.

As for the bibliographic collection, it is one of the richest of the 19th century in Catalonia, with more than 50,000 books and a total of 100,000 documents. Among these are the collected letters of Víctor Balaguer.

In the old district of Sant Joan de Sitges stands the architectural and artistic complex of Maricel, one of the most monumental examples of Noucentisme in Catalonia. It was built by Miquel Utrillo between 1910 and 1918, and had been commissioned by the American magnate Charles Deering, who established his residence here and used it to house his unique collection of Hispanic art.

After going through various uses, in 1970, art came back to the building. On the side facing the sea, the Maricel Museum was opened to display the art collection of Dr Jesús Pérez-Rosales: more than 3,000 Romanesque, Gothic, Renaissance and Baroque pieces, as well as pre-Columbian archaeology artefacts, oriental art, musical instruments, textiles and folk craft.

Today this collection is integrated into the Sitges Art Collection, along with other acquisitions, creating a complete and varied tour through the history of art, from the 10th century to the first half of the 20th century.

Particularly notable are the rooms dedicated to Romanticism (Marià Fortuny), to Noucentisme (Joaquim Sunyer, Pere Jou, Lola Anglada, Enric Casanovas, Ismael Smith, Pau Gargallo) and especially to Modernisme (Santiago Rusiñol, Ramon Casas, Josep Llimona), which has a close connection to Sitges. There is even a room displaying paintings that once decorated the Cau Ferrat Brewery.

One can’t leave the Museum without going through the Sert Room, with its large murals from 1915 dedicated to the First World War.

Inside the Basilica of Santa Maria de Mataró is one of the most important examples of the religious Catalan Baroque: the Chapel of Els Dolors (the sorrows), preserved in its original state. It was built between the 17th and 18th centuries and was completed between 1722 and 1737, with frescos, oils, canvases and sculptural elements created by Antoni Viladomat.

The six great canvases on the side walls of the Chapel of Els Dolors are the stations of the cross combine with scenes of the Crown of Thorns (Corona Dolorosa).

The Barcelona artist was also responsible for the other elements in the Els Dolors complex: the Sacristy, the Crypt and the meeting room. The latter is an octagonal Chamber completely covered with paintings by Viladomat highlighting the Apostles and Evangelists. The entire complex is characterised by its drama and theatricality.

The MHC is a museum designed to stimulate interest in the evolution of Catalan culture. In the Palau de Mar, one of the few conserved buildings of the old port of Barcelona, visitors follow a thought-provoking story that is divided into eight stages, starting in prehistoric times and finishing in the present day to, and taken from a social, economic, political and cultural point of view.

During the tour, you will find objects and documents, historical recreations and audiovisual and interactive scenes, which in an entertaining way, illustrate the history of this nation.

The visitor even gets the opportunity to climb onto the horse of a Lord in the war of the Middles Ages and hide in a trench of the Civil War.

The Girona Art Museum, founded in 1976, could not have chosen a better setting than the Episcopal Palace, from the 12th and 16th centuries, to host its collection. The museum has the third most important collection of Romanesque and Gothic art in Catalonia. The jewel in the crown is the portable altar from the monastery of Sant Pere de Rodes, made of stone and wood covered with silver.

Notable also from the medieval collection is the polychrome Romanesque beam from the Monastery of Sant Miquel de Cruïlles, one of the few preserved in Europe. Or the Virgin of Besalú, considered one of the best Gothic examples of its kind. Names such as Bernat Martorell and Lluís Borrassà also have presence there.

But the art collection of the Girona Art Museum goes beyond the Middle Ages. It consists of 8,500 objects that span from the Greek colonies up to the twentieth century.Specifically, this last period also has a presence in the Museum with works by Joaquim Vayreda, Santiago Rusiñol and Ramon Martí i Alsina.

The MNAC (Catalan National Museum of Art) is located in the Palau Nacional de Montjuïc, built for the international exhibition of 1929. The Museum opened its doors in 1934, bringing together the medieval collection, which was gradually expanded to include works from other periods. Among the most emblematic works are the magnificent paintings from the apse in Sant Climent and Santa Maria de Taüll.

Regarding Romanesque art, other exceptional pieces include the mural paintings of Santa Maria d'Àneu and Sant Quirze de Pedret, the Batlló Majesty and the altar frontal of Avià. Notable from the Gothic period are masterpieces by painters such as Jaume Huguet, Lluís Dalmau, Bernat Martorell and Lluís Borrassà, among others.

Modern art also has a prominent place and especially since 2014 when the collection, the exhibition rooms and the museography of this period was renovated. La vicaria (The Spanish Wedding) by Marià Fortuny, is one of the star works, followed by pieces of the most representative artists of Modernisme, such as Gaudí or Casas, and those of the avant-garde, such as Picasso or Miró.

There are also great artists from the European Renaissance and Baroque such as Titian or Velazquez, for example, and the photographic exhibits complete the collection.

Pablo Picasso and Barcelona had a special connection. He lived there during his childhood and youth. For this reason, he chose this city to open, in 1963, the first Picasso museum in the world and the only one created during the artist's life. Its main legacy is the most comprehensive collection of works executed by the artist during his youth, comprising more than 4,000 items. That is why the Picasso Museum of Barcelona has become a reference centre for discovering the early stages in Picasso’s artistic career.

Most of the pieces that can be seen in the museum date back to the period between 1890 to 1917. The tour includes paintings from the artist’s childhood and school years (Man with Beret), from his (Science and charity), his time spent in Paris (), from the (The fool) and from the rose period (Harlequin).

Particularly outstanding among the paintings executed after 1917, is the Las Meninas, series from 1957, a group of 58 paintings analysing the masterpiece by Velázquez. Here you will also find the collection of etchings, lithographs and ceramics.

The entire exhibition of avant-garde art is housed in the interior of five major palaces in the street Carrer Montcada, that date back to the 13th-14th centuries and are an excellent example of Catalan Gothic civil architecture.

The participation of the main artists, musicians and writers of the 19th century in the activities that the artist Santiago Rusiñol organised at his home-studio in Sitges from 1893 has been turned into a veritable temple of Modernisme.

It was so named Cau (hideout), because they wanted it to be a haven for lovers of poetry, and Ferrat (Iron), because he had a collection of wrought iron that he had collected on his travels around Catalonia. The building is now the Cau Ferrat Museum, one of the main museums of the region of Garraf.

It brings together the collections of ancient and modern art put together by the Catalan artist and writer. Painting, drawing, sculpture, wrought iron, ceramics, glass and furniture form a unique artistic collection, which includes some of the sculptural work of Rusiñol, as well as artists such as Casas, Picasso, El Greco, R. Pichot, Mas i Fondevila, Zuloaga, Regoyos i Degouwe de Nucques, Enric Clarasó, Manolo Hugué and Pau Gargallo, among others.

The Cau Ferrat Museum building was refurbished between 2010 and 2014 in order to strengthen the structure and restore the original historic elements.