Located on the northern side of the Pallàrs Sobirà, is Gerri de la Sal, a small medieval village that still retains its enclosure and which is noted for its industrial and architectural heritage: the alfolí, or salt storehouse, and the Monastery of Santa Maria.
The exploitation of the source of the salt, was, until recently, the main economic driving force for this town, which is reflected in its name. As a witness to this industrial past, the Casa de la sal or the Reial Alfolí de Gerri, the Royal warehouse, where the salt was extracted, treated and stored from the Middle Ages, remain. Considered to have the largest floor plan of any civil building in Pallars, it now houses the Museum of Gerri de la Sal.
The cultural interest of the complex is completed with the remains of an example of the Catalan Romanesque in its purest form: the Monastery of Santa Maria, which lies just outside the village.
Dedicated to the Benedictine order in 1149, it soon became an important evangelical centre for the Bishop of Urgell and also one of the richest. But at the end of the 12th century the Counts withdrew support for the monastery, and took its land and properties. The economic problems and the disputes led to the depopulation of its domains and it was finally deconsecrated in 1835. Of the monastery, now only the Church with the atrium or entrance porch remains. Inside you can see up to 30 decorated capitals.
The Historic Archives of the City of Barcelona (AHCB) is the institution in charge of custody, preservation, treatment and dissemination of historical documents generated by the government of the city since the 13th century, when the Barcelona municipal government was created, and until the liberal revolution of the mid-19th century.
Over time, a wide range of archival materials, bibliographic and newspaper collections of historical interest have been incorporated and it has become one of the most important archival centres of Catalonia and an essential reference for historians.
From the 1920s the headquarters of the archive has been the
Currently the holdings and collections of the historical archive of the city of Barcelona are divided into three main sections: documentary collections, the library and the newspaper library.
The Regional Archives Network (XAC) is made up of regional archives that work to ensure the principles of provenance and regionality in the treatment and access to documents.
Each of the 41 archives of the network is responsible for organising, preserving, disseminating and facilitating access to the documentation and documentary heritage of their region, and also collaborates with the various public administrations.
In addition, they are also in charge of the custody of the documents of the municipalities of less than 10,000 inhabitants, notary protocols more than 100 years old, the documentation regarding the administration of Justice, the public records of the State, and any other documentation of historic or cultural interest for the area.
Since 1981 the three provincial archives (Girona, Lleida, Tarragona) also form part of the Regional Archives Network of the Catalan Government.
With the aim of cataloguing, preserving and disseminating the bibliographic heritage of Catalonia, in 1983 the Catalan Government created the Collective Catalogue of Catalonia’s Bibliographic Heritage (CCPBC).
Managed by the Biblioteca de Catalunya, the CCPBC is a cooperative cataloguing project open to all types of institutions that have bibliographic collections relating to heritage. It contains bibliographic descriptions of printed documents that range from the very beginnings of printing until the start of the 20th century, as well as manuscripts and other types of documentary heritage interest conserved in the libraries of Catalonia.
Some of the major libraries with bibliography of patrimonial interest are, in addition to the Biblioteca de Catalunya, the institutions such as the Historical Archive of the City of Barcelona, the Abbey of Santa Maria de Poblet, the Ateneu Barcelonès, the Library of Montserrat, the Episcopal Library of Vic, Casa Asia, the Centre Excursionista de Catalunya, the Josep Pla Foundtion, the Institute of Catalan Studies, the Museu Nacional d'Art de Catalunya and the Archaeological Museum of Catalonia, among others.
The CCPBC has collaborated in the preparation of the bibliographic heritage of the Spanish State since 1992, and from 2007 has also formed part of the Collective Catalogue of Catalan Universities (CCUC).
To find out about the historical memory of the country, the conservation of the documentary heritage becomes key. In Catalonia, 330 archives are in charge of preserving and dissemination of this valuable personal, legal and institutional testimony.
Whether they are publicly owned (local, regional, provincial or national), belong to official bodies (universities, professional associations, etc.) or belong to private entities (associations, foundations, etc.), in all these archives you can find very diverse documentation: textual, audio-visual, cartographic and electronic.
The Catalonia Archives System (SAC) is the body that oversees standards and common procedures for the management and dissemination of the documentary heritage of Catalonia. These include, among others, the archives of the Catalan Government, the Crown of Aragon, the archives of municipalities with more than 10,000 inhabitants, the provincial councils, the archives of the universities and of the parishes and the churches.
There are several institutions and archives that preserve the photographic heritage of Catalonia. One of the most important collections is that of the Centre Excursionista de Catalunya, with 750,000 images of hiking and mountaineering, but also featuring the artistic and architectural heritage and daily life throughout the country. For its volume and variety, also notable is the collection of the Institut d’Estudis Fotogràfics de Catalunya with nearly 800,000 photographs.
In the Biblioteca de Catalunya there are photographic documents 250,000 archived, ranging from the mid-19th century to the present day. One of the stand outs is the Josep Salvany collection with 10,000 images of Catalan landscapes and popular culture.
The history of photography, from its beginnings up to the more contemporary production, is what informs the collection of the Museu Nacional d’Art de Catalunya, with 40,000 examples from notable photographers such as Pere Casas Abarca, Agustí Centelles, Pere Català Pic, Francesc Català Roca, Colita, Joan Fontcuberta, Pere Formiguera, Oriol Maspons, Kim Manresa, Josep Masana and Joan Colom. The MACBA also has, for example, the bequest of Xavier Miserachs.
And for its part, in the personal collections of the Arxiu Nacional de Catalunya one can find works of photographers such as Josep Gaspar, els Brangulí, Gabriel Casas i Galobardes, Bert i Claret or Frederic Cuyàs.
At the end of the 19th century in Europe, images which, until then, had been static, came to life thanks to the invention of cinematography. Catalonia did not remain on the sidelines. In 1897, Fructuoso Gelabert filmed Baralla en un Cafè (Fight in a café), which is considered the first fictional film in the history of Catalan and Spanish cinema.
From this point on, many other films have become a watershed in the evolution of the ‘seventh art’ in Catalonia. Of these was one of the key films of surrealist cinematography, Un chien andalou (1928), which was the result of an intense week spent by Luis Buñuel in Cadaqués with Salvador Dalí. As well, Montserrat is the main setting for filming of the blockbuster Parisfal (Daniel Mangrané, 1951).
During the Civil War, Espoir/Sierra de Teruel (André Malraux, 1938) became a valuable document on the activity of the Republican side, although it wasn’t released until 1978. In the midst of Francoism, Los Tarantos (Rovira Beleta, 1963) is a raw testimony about the urban fringes. And the period of the Spanish ‘transition’ cannot be understood without La ciutat cremada, The Burnt City, (Antoni Ribas, 1976).
In addition to the film production one must also take into account the preservation of this heritage. One of the main Catalan institutions dedicated to preservation and dissemination of such films is the Filmoteca de Catalunya, with a collection that includes more than 8,000 films and that has a regular programme of screenings. With regard to alternative and experimental cinema, the benchmark is the Xcèntric Archive of the CCCB. There is also the Girona Museum of Cinema, which displays close to 8,000 pieces of equipment and pre-cinematographic objects of the Tomàs Mallol collection.
On the east bank of Lake Banyoles, between Paratge dels Desmais and Caseta de Fusta and following the landscaped walkways, some unique constructions stand out: the fisheries.
The construction of these fishing platforms began in the 19th century and continued until 1931, when the Council banned the building of any more. Originally simple, they became more sophisticated as time went on. Their form is functional, becoming large, wider structures with the capacity for more boats, a symbol of social and economic prestige.
As a result of the expansion of the Catalan bourgeoisie and the practice of water sports, the fisheries were the object of reforms throughout the 20th century, both to increase their storage capacity, and so people could stay there.
Currently they can only be viewed from the outside as they are privately-owned.
The information that the Catalan paleontological sites provides us, allows us to reconstruct ancient landscapes and study the history of life.
The exceptionally well-preserved archaeological sites, with fossils that allow the observation of unique details, are veritable windows onto the past. This is the case with the Alcover quarry, the quarries of Rúbies and la Cabrua.
The presence of fossilized remains of dinosaurs in sites such as La Cañada, Mas d'Arsís, Blasi and Sant Romà d'Abella has allowed the description of new species of sauropods and hadrosaurs. Notable also are the dinosaur eggs found at Coll de Nargó, one of the most important collections in the world.
In the Catalan Countries, many fossils also have been found that have allowed us to describe new species of mammals. This is the case of archaeological sites such El Bunyol, Els Casots, La Trinxera del Ferrocarril, El Castell de Barberà, Can Ponsic, El Firal and Venta del Moro.
On the other hand, the sites of Can Mata (Hostalets de Pierola) and Can Llobateres (Sabadell), are internationally recognised for their exceptional scientific and historical value. In the description of new mammals, both added to the discovery of new anthropomorphic primates: Pierolapithecus catalaunicus, Anoiapithecus brevirostris and Hispanopithecus laietanus.
Professionals, traders, artisans and citizens come together in fairs and markets in Catalonia every week. They are meetings that, above all, facilitate commercial exchange, but throughout history have also served to make new contacts, reach agreements, and to hold religious celebrations.
Most markets grew up around the crossroads of old roads. The receipt of Royal permission to organise a trade fair is synonymous with economic growth of cities and towns.
At fairs such as the Mercat del Ram of Vic or the Fira de la Candelera of Molins de Rei, all kinds of products are sold. On the other hand, trade fairs such as the Santa Llúcia (Christmas) or Sant Ponç (medicinal herbs) are themed.
In fact, the specialisation in specific products became an effective tool for economic, tourist and cultural development. Examples of these are the Fira de l'Avet (Fir tree fair) in Espinelves and the Càntir (a Catalan jug) fair in Argentona.
Modern fairs, as well as cultural and artistic exhibitions (such as the Live Music Theatre in Vic, the Children's and Youths' Theatre Fair in Igualada and the Fira Mediterrània for shows with traditional Mediterranean roots in Manresa), adopt a new image, but the function is maintained: the human, cultural and commercial interaction.
